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Global
Playback
Earthstage
Playback
Theatre
Support

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GLOBAL
PLAYBACK - CASE FOR SUPPORT
THE
EVENT
This
is a request for funding for Global Playback - a coordinated series
of performances of personal stories told by audience members and
enacted by playback theatre companies around the world.
Global
Playback is about honoring personal stories, changing the world
one story at a time. The kind of social change embodied in this
work is not top-down (changing the laws or structures of governments
as a way of impacting individual lives). It is bottom-up (changing
the hearts of individuals, one at a time).
IMAGINE THIS:
·
In Hungary, Gábor remembers the day a stranger helped him
carry heavy luggage in the driving rain, and then insisted on paying
for a taxi to his hotel.
· In Israel, Shoshana describes being thanked effusively
by a Palestinian friend for helping him through a family crisis,
although she can’t remember doing anything special.
· In Japan, Yachiyo recalls the fulfillment she felt after
convincing a friend not to commit suicide.
On
5 continents, in 30 countries, in 10 languages, at 80-100 events,
several thousand people will participate in this event on the same
day. Trained actors and musicians will listen carefully to personal
stories of kindness, and many hundreds of these stories will be
“played back” through theatre improvisation in front
of widely diverse audiences. Imagine CNN and other major media covering
the event. Imagine video crews capturing moments of true theatre
in many languages, and a video documentary being produced which
is seen by millions on public television. Imagine empathy and compassion
being ignited. Imagine increased awareness of kindness as a result.
THE VISION
Why
does the media focus on bad news?
Yes,
there’s plenty of bad news to report. And yes, there’s
the occasional human interest story that gets included in TV or
radio reports, or the “living” section of newspapers.
But for the most part, what people hear about, and as a result,
what people talk about, is bad news. They come to expect it. And
that leads to increased fear, hopelessness, isolation, and the perpetuation
of hostility towards whatever is perceived as “different”.
Playback
theatre, founded in 1975 by Jonathan Fox and Jo Salas, is an original
form of improvisation in which audience members tell stories from
their lives and watch them enacted (“played back”) on
the spot. Whether in theatres, workshops, educational or clinical
settings, playback performances help people share their common humanity,
modeling a process that can transform how people relate to each
other. When a story is told and then enacted spontaneously, a deep
bond of understanding is established between the storyteller and
the audience. The feeling often shared by audience members is that
the teller’s story is their story too. When people join together
in sharing their stories and watching the re-enactments, a profound
shift occurs in their willingness to focus on commonalities rather
than judgments of otherness.
“My
religion is simple. My religion is kindness.” - The Dalai
Lama
THE
MISSION
The
mission of this event is to use the power of Playback Theatre to:
- Affirm
the positive potential of our shared humanity
-
Harness the power of kindness to create hope and positive change
-
Unite people across the world through an event with a shared theme
-
Give voice to people everywhere and honor their/our human experience
-
Build relationships, teamwork and trust
-
Promote an effective tool for the future that all can use.
EXAMPLES
Playback
theatre has been remarkably successful in promoting attitudes of
compassion in many challenging arenas. Performances have been used
to help middle school students understand why bullying of others
is not to be tolerated. Playback troupes have made a huge impact
bridging cultural gaps between Palestinians and Israelis, between
Catholics and Protestants in Ireland, between Maoris and whites
in New Zealand, and between upper castes and “untouchables”
in India. The human face of suffering has been shared and more deeply
understood through performances in Germany with concentration camp
survivors, and in New York City with survivors of the World Trade
Center attacks. In prisons throughout the world, playback has drawn
out the stories of inmates, and provided major boosts in rehabilitation
and forgiveness. In Botswana and other African countries, playback
has been used to help people with little education understand the
threat of AIDS and what they can do to avoid the epidemic.
In
each of these situations, there has been strong potential for increased
compassion to lead directly to increased kindness.
WHAT
IS EARTHSTAGE PRODUCTIONS?
EarthStage
Productions is a non-profit 501(c)(3) corporation, founded in 1993
to produce high quality theatre designed to educate audiences about
social and environmental issues. In its early years, EarthStage
partnered with the Walden School (for emotionally disturbed youth),
Fairchild Tropical Gardens, and the Center for Fine Arts, all in
Miami, with significant funding from the State of Florida, Metro-Dade
County, and American Express. After relocating its base to Asheville,
NC, EarthStage collaborated with Warren Wilson College’s Environmental
Leadership Center and its Theatre Department in creating an hour-long
production dramatizing the history of how people have related to
the environment in the North Carolina mountains over four centuries.
The show was presented in schools throughout western North Carolina.
EarthStage was also the producing organization for Asheville’s
Earth Day celebrations in 2000 and 2001; a huge Womens’ Solidarity
and World Peace event in Kathmandu, Nepal in 2001; and has produced
Asheville Playback Theatre in frequent performances since 2003.
The
founder and Producing Director of EarthStage Productions is Mountaine
Mort Jonas. Mountaine has a lifetime of experience in nonprofit
organizations. He was Director of Finance and Administration at
the Florida Grand Opera, has done consulting for many nonprofits
including the Asheville Symphony and MAGIC Community Gardens, and
is a consultant to the Metropolitan Opera. He is also active with
playback theatre as an actor, musician, conductor, and trainer.
THE
NEED
The
budget includes several components designed to enhance the impact
of the worldwide performances. These components include a website,
media consultants and publicity, the creation of a film documenting
the event, and travel and general support for the project director.
For further information, contact Raphael Peter at raphaelpeter@buncombe.main.nc.us,
or (828) 779-3062. All donations are tax deductible to the full
extent of the law, and may be sent to EarthStage Productions, PO
Box 567, Asheville, NC 28802, USA.
Send
donations to:
EarthStage Productions, Inc., PO Box 567, Asheville, NC 28802, USA.

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